There are some very Maiden-esque moments dotting the landscape, and their power metal influences are evident at times, but things also veer into heavier environs. They rip and slash all over the place with a stunning collection of vintage metal leads and harmonies, but they’re willing to try their hand at doom and speed tropes when the time is right. Sometimes his dramatic flourishes recall early days King Diamond, and he certainly has an ear for big vocal hooks.
He’s got enough range to do interesting things and change gears as the music demands and he brings a warm, nostalgic 80s flavor to the material. I’m a big fan of Jim Kotsis as a vocalist, though I imagine there will be some percentage of metaldom that is put off by his high-pitched delivery. It’s also highly addicting and I can’t seem to stop spinning it. At a tight, lean 42 minutes without said bonus cuts, Horrors is a savory epic metal delight with more balls than many “extreme” albums I’ve heard this year. Every song is hooky and memorable, with some interesting side-quests taken into doom on “Lair of the Wolf” and “Malediction of the Dead.” Hell, the promo includes two promo tracks and even they’re top-flight and highly entertaining. The best feature of Horrors is that there are no bad songs or a trace of filler. It reminds me of the best of Ancient Empire‘s and Eternal Champion‘s output and if it doesn’t get your blood moving, you have motor oil running through your veins.
TALES FROM THE VOID REVIEW FULL
The highpoint comes on “God of War” which is one of the most entertaining and addicting songs I’ve heard this year, full of powerhouse riffs, soaring vocals, testosterone, and adrenaline. “Beware the Deep” slaps with Cthulhu levels of eldritch force, thrashing and trilling for all its worth, and “Blinding Void” rocks some harsh vocals and borderline thrashy riffs for a winning formula that reeks of vintage Steel Prophet. The writing is tight, biting and sharp with vocal and guitar hooks around every tentacle-laden corner. When Vocalist Jim Kotsis comes in, he sounds like a winning blend of Lance King (ex- Pyramaze, ex- Balance of Power), Jason Tarpey ( Eternal Champion) and Mark “the Shark” Shelton ( Manilla Road), granting the music both a manic energy and a tie to the early 80s epic metal glory days. Opener “Beneath the Mountains of Madness” drops the anvil early with big, battering riffs and an epic doom heft Hercules himself would struggle to hoist. That means the riffs are burly and aggressive and the harmonies are plentiful and galloping. But can this trve banner carrying crew hope to throw down with the likes of Eternal Champion and Visigoth with so many alien appendages flailing and flapping around? Let’s bisque in the calamari as we investigate.īlack Soul Horde take 80s-centric heavy metal loaded with fantasy and horror themes and jam it through Iron Maiden and Judas Priest filters before finishing in a powder (power) coat of Agent Steel and Jag Panzer.
It seems this Greek epic/true metal act decided their third opus should prominently feature such unspeakable elder horrors instead of the usual tales of chaos wizard throne usurpage the genre so heavily favors. And what happens? You get unexpectedly tentacle smacked across the face, chest, and ham hocks by slimy Lovecraftian horrors from beyond space and time. 1 You get home, kick off the war boots, seize a large tankard of ale, a larger goblet of hobo wine, and sit down for a relaxed sampling of Black Soul Horde‘s latest platter of epic/trve sword-worship, Horrors from the Void. So you just endured a long, soul-killing week of nonstop 4.0s at the AMG Forced Labor Emporium and need to get away from a certain cadre of overrating hack reviewers.
0 kommentar(er)
